World Library  
Flag as Inappropriate
Email this Article

Touch and Go Records

Article Id: WHEBN0000929155
Reproduction Date:

Title: Touch and Go Records  
Author: World Heritage Encyclopedia
Language: English
Subject: Big Black, Necros (band), Red Stars Theory, The Jesus Lizard, Supersystem
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Touch and Go Records

Touch and Go Records
Founded 1981
Founder Tesco Vee
Dave Stimson
Corey Rusk
Distributor(s) ADA
Carrot Top
Electric Fetus
Revolver USA
FAB
De Konkurrent
AEC
PIAS
Love Da Records
Inertia
Genre Punk rock
Hardcore punk
Alternative rock
Noise rock
Post-hardcore
Indie rock
Grunge
Country of origin United States
Location Chicago, Illinois
Official website .comtouchandgorecords

Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes, Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of the Butthole Surfers, Big Black, The Jesus Lizard. Along with other independent American labels such as Twin/Tone, SST Records, and Dischord, Touch and Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene.[1] These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.[2]

Contents

  • History 1
  • Dispute with Butthole Surfers 2
  • Catalog 3
  • See also 4
  • References 5
  • External links 6

History

The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine, a self-printed fanzine written and produced by Tesco Vee and Dave Stimson. It wasn't until 1981 that it grew into an independent record label. Vee (later front man of The Meatmen) was bored with the punk sounds of the day, and captivated by the emerging hardcore movement in America. Inspired, he put out records by the Necros, The Fix, the Meatmen, and Negative Approach. In 1981, Necros bassist Corey Rusk joined with Tesco to run the label. In 1983, Tesco handed Touch and Go over to Rusk and his wife Lisa when he left Michigan for Washington DC. With the label under their ownership, the Rusks hired Terry Tolkin who signed the Butthole Surfers and Virgin Prunes to the label, and also produced the "Gods Favorite Dog" compilation. Soon the Rusks relocated the label to Chicago, and Touch and Go released material in the mid-'80s to mid-'90s by bands such as the Butthole Surfers, who no longer have their catalog on the label (see below), Big Black, the Jesus Lizard, Scratch Acid, the Didjits, and Killdozer, and continued into the new millennium with artists on its roster including Shellac, Yeah Yeah Yeahs, TV on the Radio (the latter two are no longer on the label), Arcwelder, CocoRosie, Ted Leo and the Pharmacists, and the Black Heart Procession. Lisa Rusk left the label after she and Corey were divorced. Corey Rusk continues to run the label. [2]

Similarly to some other alternative music labels, such as Factory Records in the UK and punk label Dischord Records in the US, Touch and Go pursued a relaxed approach to recording contracts, characterized by handshake deals providing for a 50-50 split of profits between artist and label after promotion and production costs. In this way, the label built a respected catalog of influential punk, and alternative artists.[3] However, following a 1999 legal dispute with the Butthole Surfers (see below), Touch and Go began asking bands to sign a 1-2 page memorandum of intent.

In 2006, Touch and Go celebrated its 25th anniversary. To commemorate this occasion, the label held a three-day block party event at Chicago's Hideout venue on September 8–10, 2006. Several seminal bands, including Big Black, Scratch Acid, the Didjits, Killdozer, Negative Approach, and Man or Astro-man? reunited and performed at the event.

On February 18, 2009, Corey Rusk announced that Touch and Go would drastically downsize itself. He cited the "current state of the economy" as the reason for shutting down manufacturing and distribution services for many independent labels like Jade Tree, Kill Rock Stars, and Merge Records.[4]

A 576 page book, "Touch and Go: The Complete Hardcore Punk Zine '79-'83", compiling all issues of the Touch and Go fanzine was released June 30, 2010 by Bazillion Points.[5]

Dispute with Butthole Surfers

Their approach to contracts was challenged in a court case started in 1999 by the Butthole Surfers, who purported that Touch and Go was not marketing its catalog effectively. The band argued that because its contract with T&G was of an unspecified duration, the contract could be terminated. Touch and Go argued that according to existing US copyright law, it controlled the copyright to the band's recordings for a minimum of 35 years, based on sec. 203 of the Copyright Act of 1976.

The US Court of Appeals Seventh Circuit ruled in favor of the band, determining that "when a contract is silent as to its length, it is implicit that it can be terminated by either side," and that "allowing terminations under Illinois law does not conflict with sec. 203, but rather is, in fact, in keeping with the intent of sec. 203."[6]

Catalog

See also

References

  1. ^ Dolan, Jon (January 2005), "The Revival of Indie Rock", Spin: 53, retrieved 19 April 2015 
  2. ^ Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978-1984. Penguin Books.  
  3. ^ Josh Goldfein, "Touch and Go v. The Buttholes," Chicago Reader, April 16, 1999.
  4. ^ http://leisureblogs.chicagotribune.com/turn_it_up/2009/02/touch-go-celebrated-its-25th-anniversary-in-2006-it-had-grown-from-a-bedroom-operation-designed-expressly-to-put-out-a-7-i.html
  5. ^ Official book site
  6. ^ U.S. Court of Appeals, Seventh Circuit, 172 F.3d 481. Paul L. Walthal, Gibson J. Haynes, and Jeffrey S. Coffey v. Corey Rusk d/b/a Touch and Go Records. Argued Dec. 7, 1998, decided March 26, 1999. Retrieved from Justia.com on Oct. 4, 2008. Also see the 3/26/99 Chicago Reader article (earlier note and External links) for case summary and background.
  • Tupica, Rich: Touch and Go zine feature in City Pulse. July 2010. accessed July 10, 2010

External links

  • Official website
  • Interview with Corey Rusk (Sept. 5, 2006), Pitchfork Media
  • Greg Kot, "The man who survived the music wars", Chicago Tribune, August 20, 2006. Retrieved August 23, 2006.
  • Chicago Reader article (April 16, 1999) and follow-up article (November 5, 1999) documenting the legal battle between Touch and Go and the Butthole Surfers
  • The US Court of Appeals Seventh Circuit decision of the case between Touch and Go and the Butthole Surfers
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.