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Alley Theatre

Not to be confused with the Alley Theatre (Strabane) in Northern Ireland.
Alley Theatre
Alley Theatre Rendering, 2015
Address 615 Texas Avenue
Houston, Texas
Designation United States
Capacity Hubbard: 774
Neuhaus: 310
Opened February 8, 1949 (company)
13 October 1968 (1968-10-13) (building)
Architect Ulrich Franzen

The Alley Theatre is a Tony Award-winning indoor theatre in Downtown Houston, Texas, and hosts two stages. The "Hubbard" is the main stage with seating for 774; the more intimate "Neuhaus" seats 310. Nine towers and open-air terraces give the Alley Theatre a castle-like quality. Inside, a staircase spirals from the entrance vestibule to the second-floor lobby.[1] A truly wide variety of plays have been performed in this theater.


  • History 1
  • The New Alley Building 2
  • HYPE 3
  • Alley Theater Murder 4
  • References 5
  • External links 6


The Alley Theatre is one of the three oldest resident theatres in the United States.[2]

Under the leadership of Nina Eloise Whittington Vance (1914–1980),[3] the Alley Theatre first started in a “former dance studio with an opening on Main Street. A brick corridor led from Main to the back of the studio, hence the name Alley Theatre.”[4] In 1948, early paying members scouted Houston for a new location for the Alley, finally landing on an abandoned fan factory on Berry Avenue. The Alley re-opened on February 8, 1949, with a production of Lillian Helman’s The Children’s Hour.

The Alley Theatre, as seen from the Bayou Place

In 1954, Ms. Vance brought in Albert Dekker to ‘guest-star’ in Death of a Salesman. The Alley then became a fully professional/Equity company.[5]

The Alley Theatre was invited by the United States State Department to represent the American Regional Theatre at the Brussels World’s Fair in 1958.[6]

In 1962, the Houston Endowment gifted land worth $800,000 and grants worth $2.5 million were awarded to the Alley from the Ford Foundation for the new building at 615 Texas Ave. In the summer of 1963, the theatre raised more than $900,000 from Houstonians. These funds helped the theatre grow from its modest beginnings into one of the most prestigious non-profit resident theatres in the United States.[4]

Paul Zindel's The Effect of Gamma Rays on Man-in-the-Moon Marigolds was staged at the Alley in 1964 and in 1971 Zindel won the Pulitzer Prize for Drama for the work. .[7]

In 1996, the Alley Theatre won the Regional Theatre Tony Award and has toured 40 American cities and abroad.[8] and is regarded as “one of the most respected resident companies in the country.”[8]

In 1977, Nina Vance was invited on the State Department tour of Russian theater, which led to an invitation from Nina to Galina Volchek, director of the Sovremennik Theater of Moscow, to come to Houston to produce Mikhail Roschin’s play, Echelon. This marked the first time a Russian had been invited to the U.S. to recreate a play precisely as it appeared in the Soviet Union.[9]

Having forged alliances with such international luminaries as Edward Albee, Vanessa Redgrave and Frank Wildhorn, landmark theatrical events at the Alley have included the world premieres of Jekyll & Hyde, The Civil War, and in 1998, Not About Nightingales a newly discovered play by Tennessee Williams,[10] which moved to Broadway in 1999 and was nominated for six Tony Awards, including Best Play.[11]

The Alley is currently led by Artistic Director Gregory Boyd and Managing Director Dean R. Gladden. Since his arrival as artistic director in 1989, Mr. Boyd has produced more than 120 productions at the Alley, including an unprecedented two productions in one season at the Venice Biennale and at Lincoln Center.[12] Texas Monthly writes, no other theatre “in Texas comes close” to the Alley and its “productions often rival Broadway in quality, thanks to its crackerjack resident acting company (one of the few left in the country) and top-to-bottom production staff.”[13]

On March 1, 2011, the Alley Theatre was awarded a Texas Medal of Arts Award by the Texas Cultural Trust, bestowed upon Texas leaders and luminaries in the arts and entertainment industry for creative excellence and exemplary talent.[14]

The New Alley Building

The opening of the new home of the Alley Theatre in November 1968 was a nationally chronicled event.[3] It has two stages – the Hubbard Stage, which has 824 seats, and the more intimate Neuhaus Stage, which has 310 seats.[15] The Alley’s building at 615 Texas Ave. was designed by Ulrich Franzen,[16] who, along with Ms. Vance, wanted to create “a building that sings from any viewpoint.”[17] The theatre building has no right angles but does have wide bands and terraces and is “reminiscent of Frank Lloyd Wright’s buildings.”[18] Franzen selected the concrete exterior because he was inspired by Houston’s location and the warm weather of the Southwest. There are three triangles in the main building and “the curves cling to and move around the triangles.”[19]

Franzen designed the Alley in what is known as the Brutalist style that was popular from the 1950s through the mid-1970s. The term “brutalism” was coined in 1953 and comes from the French béton brut meaning "raw concrete.” Concrete is the material most widely associated with Brutalist architecture.

The Alley’s building is among many famous Brutalist structures, including Washington D.C.’s L'Enfant Plaza, the J. Edgar Hoover Building, and the Metro stations (WMATA), Yale University’s Art and Architecture Building, Boston City Hall, the FBI Academy, and the Royal National Theatre (London).

The new Alley Theatre became “the most modern, elastic theatre house in the world for the dramatic arts” thanks to Stalin’s favorite architect would have come up with on ‘shrooms."[26]

In 2013-2015, the Alley underwent a $46.5 million building renovation, the first major improvements since the building opened in 1968, including major improvements to the Hubbard Theatre, backstage area, and public spaces. The renovation was funded by private and public contributions to the Alley through the Extended Engagement Capital Campaign. Improvements included the installation of a new four-story fly loft, creation of a fully trapped stage floor allowing for an orchestra pit and actor and scenery entrances/exits, and a more intimate relationship between the audience’s seating area and the stage. New audience amenities included new seats, expanded restrooms and a new lobby space with a skyline view. With more than 500 performances annually, the Alley will produce more performances than all other performing arts organizations in the Houston Theater District combined. The Alley Theatre’s historic renovation of the Hubbard Theatre will open to the public on October 2, 2015 with One Man, Two Guvnors.[27]


The Alley sponsors what is known as the Houston Young Playwrights Exchange (HYPE), which offers a skills-enhancing experience for people under the age of twenty who want to write for the stage.[28] Every year, several pieces are chosen from the greater Houston area to be produced.

Alley Theater Murder

An ex-security guard murdered a theater director on the fourth floor of the Alley Theater in 1982. The perpetrator was executed in 1993. Since the murder, rumors that the director's spirit haunts the Alley Theater emerged.[29]


  1. ^ "Calendar of Events: Alley Theatre". City of Houston. 2007. Archived from the original on 24 May 2008. Retrieved 2008-05-30. 
  2. ^ "Great Citizens – Nina Vance". Retrieved 2011-12-29. 
  3. ^ a b N.J. Stanley (2001-06-06). "Vance, Nina Eloise Whittington". The Handbook of Texas Online. Texas State Historical Association. Retrieved 2007-06-11. 
  4. ^ a b "Alley Theatre". Texas State Historical Association. Retrieved 2011-12-29. 
  5. ^ Zeigler, Joseph Wesley. Regional Theatre: The Revolutionary Stage . U of Minnesota Press, 1973, p. 29.
  6. ^ Atkinson, Brooks (March 16, 1958). "Houston’s ‘Alley’: Arena Stage, in Its Tenth Year, Has Become a Theatre of Distinction". The Arts. Retrieved 29 December 2011. 
  7. ^ "The Effect of Gamma Rays on Man-in-the-Moon Marigolds". enotes. Archived from the original on 16 May 2008. Retrieved 2008-05-30. 
  8. ^ a b "Alley Theatre". The University of Houston School of Theatre & Dance. Retrieved 2011-12-29. 
  9. ^ Hitchcock Holmes, A (1986). “The Alley Theatre: Four Decades in Three Acts”, p. 51
  10. ^ "Alley Theatre". Greater Houston Convention and Visitors Bureau. 2008. Retrieved 2008-05-30. 
  11. ^ Evans, Everett (January 23, 1998). "Alley to stage premiere of Williams play". The Houston Chronicle. 
  12. ^ "Alley Theatre". National Corporate Theatre Fund. Retrieved 2011-12-29. 
  13. ^ Dewan, Shaila (February 1997). "Mixed Review". Texas Monthly. Retrieved 29 December 2011. 
  14. ^ "Alley Theatre - Theatre". Texas Cultural 2011. Retrieved 2011-12-29. 
  15. ^ "Calendar of Events: Alley Theatre". City of Houston eGovernment Center. 2007. Retrieved 2011-12-29. 
  16. ^ "Harvard University Graduate School of Design Collections – The Architecture of Ulrich Franzen". Harvard University. Archived from the original on 9 May 2008. Retrieved 2008-05-30. 
  17. ^ a b Zeigler, Joseph Wesley. Regional Theatre: The Revolutionary Stage . U of Minnesota Press, 1973, p. 30.
  18. ^ Holmes, A (November 24, 1968). 20 Years Across the Boards, Houston Chronicle, Texas Magazine.
  19. ^ (November 24, 1968). A Building to Pique the Senses , Houston Chronicle, Texas Magazine.
  20. ^ Weber, J (November 24, 1968). “Alley Firsts , Houston Chronicle, Texas Magazine.
  21. ^ Bolton, B (November 24, 1968). “An Architect Looks at the Alley , Houston Chronicle, Texas Magazine.
  22. ^ (November 24, 1968). “Quote … Unquote: The critics’ printed words, , Houston Chronicle, Texas Magazine.
  23. ^ "News Briefs". Houston Chronicle. March 19, 1994. Retrieved 27 December 2011. 
  24. ^ Book of American Architecture: 500 Notable Buildings from the 10th Century to Present . Princeton Architectural Press, 1996, p. 530.
  25. ^ "Alley Theatre". Greater Houston Convention and Visitors Bureau. Retrieved 2011-12-29. 
  26. ^ Lomax, John Nova. "The Ten Ugliest Buildings in Downtown Houston." Houston Press. 4. Retrieved on October 7, 2009.
  27. ^ "History". 
  28. ^ "The Front Row". KUHF Radio. Retrieved 2008-06-25. 
  29. ^ Berkowitz, Lana. "Downtown Houston can be a real ghost town." Houston Chronicle. October 21, 2007. Retrieved on March 7, 2010.

External links


In 2002, the Alley unveiled its new state-of-the-art Center for Theatre Production, a 75,000-square-foot facility that is one of the most complete and largest facilities of its kind anywhere. It is adjacent to the main theatre building.[25]

In 1996, the Alley was featured in the “Book of American Architecture: 500 Notable Buildings from the 10th Century to Present” by G. E. Kidder Smith.[24]

In 1994, the Alley Theatre was chosen to receive the Twenty-Five Year Award by the American Institute of Architects/Houston, which recognizes distinguished architecture of lasting quality.[23]

The new Theatre was deemed “a very successful statement of both theatrical and architectural values” and was cited by the American Institute of Architects as “inside and out, a brilliant theatrical event.”[17] Of the Brutalist theatres built in the 1960s, including the Vivian Beaumont at Lincoln Center, Arena Stage in Washington D.C., Mark Taper Forum in Los Angeles, and the Guthrie Theatre in Minneapolis, only the Alley Theatre’s architect, Franzen, won the national Honor Award from the American Institute of Architects for designing the theatre (1972).

Newsweek wrote about the new Alley Theatre, “the most striking theatre in the U.S. … another step along the road toward ending Broadway’s domination of the American theatre,” and Sydney Johnson of The Montreal Star wrote, “… it looks as though the new Alley Theatre is going to be one of the best – and probably the very best – in the U.S. at least, simply because the building has been designed to house a specified stage and auditorium instead of the other way round.”[22]

Houston architect Preston Bolton wrote of Franzen and the Alley building, “I believe the architect, Ulrich Franzen, has created a most successful building for the Alley Theatre – one that will receive much recognition for the city, and enhance the excellent productions that are to come.”[21]


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