World Library  
Flag as Inappropriate
Email this Article

Legato

Article Id: WHEBN0000037721
Reproduction Date:

Title: Legato  
Author: World Heritage Encyclopedia
Language: English
Subject: Staccato, Slur (music), Articulation (music), GarageBand, Opera
Collection:
Publisher: World Heritage Encyclopedia
Publication
Date:
 

Legato

Diatonic scale on C, legato. Play  

In music performance and notation, legato (Italian for "tied together") indicates that musical notes are played or sung smoothly and connected. That is, the player transitions from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid rearticulation. Standard notation indicates legato either with the word legato, or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either mezzo staccato or non-legato (sometimes referred to as "portato").

Classical stringed instruments

In music for classical stringed instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The player achieves this through controlled wrist movements of the bowing hand, often masked or enhanced with vibrato. Such a legato style of playing can also be associated with portamento.

Guitar

In guitar playing (apart from classical guitar) legato is used interchangeably as a label for both musical articulation and a particular application of technique—playing musical phrases with predominantly hammer-ons or pull-offs instead of picking. Legato technique to provide legato articulation on electric guitar generally requires playing notes that are close and on the same string, following the first note with others that are played by hammer-ons and pull-offs. Some guitar virtuosos (notably Allan Holdsworth and Shawn Lane) developed their legato technique to the extent that they could perform extremely complex passages involving any permutation of notes on a string at extreme tempos, and particularly in the case of Holdsworth, tend to eschew pull-offs entirely for what some feel is a detrimental effect on guitar tone as the string is pulled slightly sideways. The term "hammer-ons from nowhere" is commonly employed when crossing strings and relying solely on fretting hand strength to produce a note but on a plucked string. Many guitar virtuosos are well-versed in the legato technique, as it allows for rapid and "clean" runs. Multiple hammer-ons and pull-offs together are sometimes also referred to colloquially as "rolls," a reference to the fluid sound of the technique. A rapid series of hammer-ons and pull-offs between a single pair of notes is called a trill.

Legato on guitar is commonly associated with playing more notes within a beat than the stated timing, i.e., playing 5 (a quintuplet) or 7 (a septuplet) notes against a quarter-note instead of the usual even number or triplet. This gives the passage an unusual timing and when played slowly an unusual sound. However, this is less noticeable by ear when played fast, as legato usually is. There is a fine line between legato and two-hand finger tapping, in some cases making the two techniques harder to distinguish by ear. Generally, legato adds a more fluid, smooth sound to a passage.

Synthesizers

In synthesizers legato is a type of monophonic operation. In contrast to the typical monophonic mode where every new note rearticulates the sound by restarting the envelope generators, in legato mode the envelopes are not re-triggered if the new note is played "legato" (with the previous note still depressed). This causes the initial transient from the attack and decay phases to sound only once for an entire legato sequence of notes. Envelopes reaching the sustain stage remain there until the final note is released.

Vocal music

In classical singing, legato means a string of sustained vowels with minimal interruption from consonants. It is a key characteristic of the bel canto singing style that prevailed among voice teachers and singers during the 18th century and the first four decades of the 19th century. Usually referred to as the line, a good, smooth legato is still necessary for successful classical singers. In Western Classical vocal music, singers generally use it on any phrase without explicit articulation marks. Usually the most prevalent issue with vocal legato is maintaining the "line" across registers.

Audio examples

A bassoon played staccato, legato, legato + vibrato, and slurred.

Problems playing this file? See .

See also

References

Further reading


This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 



Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.