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Leighton House Museum

Leighton House Museum
Leighton House
Location 12 Holland Park Road, Holland Park, London W14
Built 1866-95
Architect George Aitchison
Governing body Kensington and Chelsea Borough Council
Listed Building – Grade II*
Official name: Leighton House
Designated 30 August 1961[1]
Reference no. 1191541
Leighton House Museum is located in Greater London
Location of Leighton House Museum in Greater London
Self portrait of Leighton (1880)
The End of the Quest (1921) by Frank Bernard Dicksee.

The Leighton House Museum is a museum in the Holland Park district of Kensington and Chelsea in London. The former home of the painter Frederic, Lord Leighton, it has been open to the public since 1929.


  • The house 1
  • Permanent collection 2
  • See also 3
  • References 4
  • Sources 5
  • Further reading 6
  • External links 7

The house

Built for Leighton by the architect and designer Grade II* listed building. It is noted for its elaborate Orientalist and aesthetic interiors.[1] It is open to the public daily except Tuesdays, and is a companion museum to 18 Stafford Terrace, another Victorian artist's home in Kensington.

The first part of the house (2 Holland Park Road, later renumbered as 12) was designed in 1864 by the architect

External links

  • Barrington, Russell, Mrs (1906). The life, letters and work of Frederic Leighton (2 Volumes). London: George Allen.  Volume 1, Volume 2
  • Millner, Arthur (2015). Damascus Tiles: Mamluk and Ottoman Architectural Ceramics from Syria. Munich: Prestel.  
  • Robbins, Daniel. (2011) Leighton House Museum Kensington and Chelsea Borough Council (KCBC) ISBN 978-0-90224-223-4
  • Robbins, Daniel and Dakers, Caroline. (2011) George Aitchison: Leighton's architect revealed (KCBC) ISBN 978-0-90224-279-1
  • Various. (2010) Closer to Home: The Restoration of Leighton House and Catalogue of the Reopening Displays 2010 (KCBC)

Further reading

  • Dakers, Caroline (1999). The Holland Park circle : artists and Victorian society. New Haven, Conn.: Yale University Press.  
  • Sheppard, F.H.W., ed. (1973). "The Holland estate: Since 1874". Northern Kensington (Survey of London, Volume XXXVII). London: Athlone Press on behalf of the Greater London Council. 


  1. ^ a b c "Leighton House". English Heritage list.  
  2. ^ Dakers 1999, p. 60.
  3. ^ a b c d Sheppard 1973, p. 126-150.
  4. ^ "The Church of St. Peter". Church of St.Peter, Bushey Heath, Hertfordshire. Retrieved 25 September 2015. 
  5. ^ Bryon Parkin, The Arts and Crafts of Bushey Heath (Bushey Museum Trust, 2003), p. 12
  6. ^ "EU Prize For Cultural Heritage / Europa Nostra Awards 2012". Europa Nostra. Retrieved 25 September 2015. 
  7. ^ "Winners of 2012 EU Prize for Cultural Heritage / Europa Nostra Awards announced". European Commission. Retrieved 25 September 2015. 


See also

The house's pseudo-Islamic court has featured as a set in various film and television programs, such as Nicholas Nickleby (2002), Brazil (1985), and an episode of the British television drama series Spooks, as well as the music video for the songs "Golden Brown" by The Stranglers and "Gold" by Spandau Ballet.

  • Antonio Rossellino's carved and coloured relief: Madonna of the Candleabra, which had been in Leighton's collection, sold after his death and re-acquired by the Museum in 2006.
  • G.F. Watts portrait of Frederic Leighton.
  • Luke Fildes's still life and study for The Widower.
  • Sir Alfred Gilbert's original sketch model for Eros.

Works in the collection not by Leighton include:

  • 5 albums and sketchbooks of drawings and watercolours.
  • 27 watercolours.
  • 54 prints of Leighton's works.
  • 14 items of personal material including documents, personal mementos, embroideries, enamels and caricatures.
  • Several small scale sculptures including: Athlete Strangling a Python (1874) and Needless Alarms (1887).

Other works by Leighton in the collection include:

  • The Death of Brunelleschi - 1852
  • Charles Edward Perugini - 1855
  • A Noble Lady of Venice - c1865
  • Hercules Wrestling with Death for the Body of Alcestes - 1869–71
  • Clytemnestra from the Battlements of Argos Watches for the Beacon Fires Which Are to Announce the Return of Agamemnon - c1874
  • Professor Giovanni Costa - 1878
  • The Countess of Brownlow - c1878–79
  • The Vestal - c1882-3
  • Alexandra Sutherland Orr (née Leighton) - 1890
  • And the sea gave up the dead which were in it - c1891–92

Some of the most notable oil paintings by Leighton in the collection are:

The museum has on permanent display works of art by various members of the George Frederick Watts as well as 81 oil paintings by Leighton himself.

Permanent collection

The museum was awarded the European Union Prize for Cultural Heritage / Europa Nostra Award in 2012.[6][7]

In 1958 the London County Council commemorated Leighton with a blue plaque at the museum.[1]

In 1889 an additional winter studio was added to the building. The final addition by Aitchison was the top-lit picture gallery in 1895. After Leighton died in 1896, the contents of the house were sold, including at least one thousand of his own drawings, almost all of which were bought by the Fine Art Society. In 1927 Mrs Henry Perrin offered to pay for additional gallery space. The building was extended to the designs of Halsey Ricardo and the Perrin Galleries opening in 1929.[3] This extension was in memory of Mrs Perrin's daughter Muriel Ida Perrin, an artist and sculptor[4] who had trained at the Royal College of Art [5] and worked for the catalogue section of the The Aircraft Manufacturing Company (Airco) during the First World War.

The room also contains Victorian elements. The capitals of the smaller columns are by Sir William de Morgan.

According to Aitchison and Walter Crane, the design was based on the palace of La Zisa in Palermo. The 17th-century tiles are complemented by carved wooden lattice-work windows of the same period from Damascus. There are also large 16th-century Turkish tiles. The west wall has a wooden alcove with inset 14th-century tiles.

The architect extended the building over 30 years; the first phase was only three windows wide. The main room was the first floor studio, facing north, originally 45 by 25 feet, with a large central window to provide plenty of light for painting. There was also a gallery at the east end, and a separate staircase for use by models.[3] The house was extended to the east in 1869–70. Additionally, a major extension was made in 1877–79: the two-storey "Arab Hall," built to house Leighton's collection of tiles collected during visits to the Middle East.[3]

dressings in a restrained classical style. Caen Stone The building is of red Suffolk bricks with [3] Building commenced shortly afterwards, and the house, which cost £4500 equivalent to £395,165 in 2016, was ready for occupation by the end of the year.[2]

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