World Library  
Flag as Inappropriate
Email this Article


Article Id: WHEBN0000877023
Reproduction Date:

Title: Man'yōgana  
Author: World Heritage Encyclopedia
Language: English
Subject: Kana, Hiragana, Katakana, Kanji, Man'yōshū
Collection: Asuka Period, Kana, Kanji, Man'Yōshū, Nara Period
Publisher: World Heritage Encyclopedia


Languages Japanese and Okinawan
Time period
ca 650 CE to ?
Parent systems
Child systems
Hiragana, katakana
Sister systems
Contemporary kanji

Man'yōgana (万葉仮名) is an ancient writing system that employs Chinese characters to represent the Japanese language. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid seventh century. The name "man'yōgana" is from the Man'yōshū, a Japanese poetry anthology from the Nara period written in man'yōgana.


  • Origin 1
  • Principles 2
  • Types 3
  • Development 4
  • See also 5
  • Notes 6
  • References 7
    • Works cited 7.1
  • External links 8


A possible oldest example of Man'yōgana is the iron

  • An extensive list of man’yōgana arranged according to the characters, and not their readings
  • Tomasz Majtczak: How are we supposed to write with something like that? Early employment of the Chinese script to write Japanese as exemplified by the Man’yōshū.

External links

  • Joshi, R. Malatesha; Aaron, P. G. (2006). Handbook Of Orthography And Literacy.  

Works cited

  1. ^ Seeley, Christopher. A History of Writing in Japan. University of Hawaii: 2000. 19-23.
  2. ^ X線がいざなう古代の世界 -埼玉県・熊本県出土金銀象嵌銘刀剣が伝えた時代-
  3. ^ Sacred texts and buried treasures: issues in the historical archaeology of ancient Japan by William Wayne Farris P102 [1] "The writing style of several other inscriptions also betrays Korean influence... Researchers discovered the longest inscription to date, the 115-character engraving on the Inariyama sword, in Saitama in the Kanto, seemingly far away from any Korean emigrés. The style that the author chose for the inscription, however, was highly popular in Paekche."
  4. ^ Joshi & Aaron 2006, p. 483.


  1. ^ 借音 shakuon; "borrowed sound"
  2. ^ 借訓 shakkun; "borrowed meaning"


See also

Hiragana's Man'yōgana
including obsolete syllabograms
Development of hiragana from man'yōgana
Katakana's Man'yōgana
including obsolete syllabograms
Katakana with man'yōgana equivalents (segments of man'yōgana adapted into katakana highlighted)

Man'yōgana continues to appear in some regional names of present-day Japan, especially in Kyūshū. A phenomenon similar to man'yōgana, called ateji (当て字), still occurs, where words (including loanwords) are spelled out using kanji for their phonetic value: for example, 倶楽部 (kurabu, club), or 珈琲 (kōhii, coffee).

The use of multiple kanji for a single syllable also led to hentaigana (変体仮名), alternate letterforms for hiragana. Hentaigana were officially discouraged in 1900.

Kanji that were used as man'yōgana eventually gave rise to hiragana and katakana. Hiragana developed from man'yōgana written in the highly cursive sōsho style; katakana is based upon man'yōgana, and was developed by Buddhist monks as a form of shorthand. In some cases, one man'yōgana character for a given syllable gave rise to the current hiragana equivalent, and a different one gave rise to the current katakana equivalent. For example, the hiragana る (ru) is derived from the man'yōgana , the katakana ル (ru) is derived from the man'yōgana .


Table of man'yōgana
one character represents one mora
a 阿安英足 可何加架香蚊迦 左佐沙作者柴紗草散 太多他丹駄田手立 那男奈南寧難七名魚菜 八方芳房半伴倍泊波婆破薄播幡羽早者速葉歯 万末馬麻摩磨満前真間鬼 也移夜楊耶野八矢屋 良浪郎楽羅等 和丸輪 我何賀 社射謝耶奢装蔵 陀太大嚢 伐婆磨魔
i1 伊怡以異已移射五 支伎岐企棄寸吉杵來 子之芝水四司詞斯志思信偲寺侍時歌詩師紫新旨指次此死事准磯為 知智陳千乳血茅 二人日仁爾迩尼耳柔丹荷似煮煎 比必卑賓日氷飯負嬪臂避臂匱 民彌美三水見視御 里理利梨隣入煎 位為謂井猪藍 伎祇芸岐儀蟻 自士仕司時尽慈耳餌児弐爾 遅治地恥尼泥 婢鼻弥
i2 貴紀記奇寄忌幾木城 非悲斐火肥飛樋干乾彼被秘 未味尾微身実箕 疑宜義擬 備肥飛乾眉媚
u 宇羽于有卯烏得 久九口丘苦鳩来 寸須周酒州洲珠数酢栖渚 都豆通追川津 奴努怒農濃沼宿 不否布負部敷経歴 牟武無模務謀六 由喩遊湯 留流類 具遇隅求愚虞 受授殊儒 豆頭弩 夫扶府文柔歩部
e1 衣依愛榎 祁家計係價結鶏 世西斉勢施背脊迫瀬 堤天帝底手代直 禰尼泥年根宿 平反返弁弊陛遍覇部辺重隔 売馬面女 曳延要遥叡兄江吉枝衣 礼列例烈連 廻恵面咲 下牙雅夏 是湍 代田泥庭伝殿而涅提弟 弁便別部
e2 気既毛飼消 閉倍陪拝戸経 梅米迷昧目眼海 義気宜礙削 倍毎
o1 意憶於應 古姑枯故侯孤児粉 宗祖素蘇十 刀土斗度戸利速 努怒野 凡方抱朋倍保宝富百帆穂 毛畝蒙木問聞 用容欲夜 路漏 乎呼遠鳥怨越少小尾麻男緒雄 吾呉胡娯後籠児悟誤 土度渡奴怒 煩菩番蕃
o2 己巨去居忌許虚興木 所則曾僧増憎衣背苑 止等登澄得騰十鳥常跡 乃能笑荷 方面忘母文茂記勿物望門喪裳藻 与余四世代吉 呂侶 其期碁語御馭凝 序叙賊存茹鋤 特藤騰等耐抒杼
Shakkun kana
Morae 1 character, complete 1 character, partial 2 characters 3 characters
1 女 (め), 毛 (け), 蚊 (か) 石 (し), 跡 (と), 市 (ち) 嗚呼 (あ), 五十 (い), 可愛 (え), 二二 (し), 蜂音 (ぶ)
2 蟻 (あり), 巻 (まく), 鴨 (かも) 八十一 (くく), 神楽声 (ささ)
3 慍 (いかり), 下 (おろし), 炊 (かしき)
reading, one to three characters represent one to three morae. kun'yomi) are based on native 借訓仮名 (Shakkun kana
Shakuon kana
Morae 1 character, complete 1 character, partial
1 以 (い), 呂 (ろ), 波 (は) 安 (あ), 楽 (ら), 天 (て)
2 信 (しな), 覧 (らむ), 相 (さが)
or two morae. mora reading, in which one character represents either one on'yomi) are based on Sino-Japanese 借音仮名 (Shakuon kana

In man'yōgana, kanji are mapped to sounds in a number of different ways, some of which were straightforward and others which are less so.


In some cases, specific syllables in particular words are consistently represented by specific characters. This usage is known as Jōdai Tokushu Kanazukai. It has led historical linguists to conclude that certain sounds in Old Japanese, represented by differing sets of man'yōgana characters, may have merged since then.

The sounds mo (母, 毛) and shi (之, 思) are written with multiple characters. While all particles and most words are represented phonetically (多太 tada, 安佐 asa), the words umi () and funekaji (船梶) are rendered semantically.

Man'yōgana 之乎路可良 多太古要久礼婆 波久比能海 安佐奈藝思多理 船梶母我毛
Katakana シヲヂカラ タダコエクレバ ハクヒノウミ アサナギシタリ フネカヂモガモ
Modern 志雄路から ただ越え来れば 羽咋の海 朝凪したり 船梶もがも
Romanized Shioji kara tadakoe kureba Hakuhi no umi asanagi shitari funekaji mogamo

Man'yōgana uses kanji characters for their phonetic[1] rather than semantic[2] qualities—in other words, they are used for their sounds and not their meanings. There was no standard system for choice of kanji; different kanji could represent a similar sound, the choice made on the whims of the writer. By the end of the 8th century, 970 kanji were in use to represent the 90 morae of Japanese.[4] For example, the Man'yōshū poem 17/4025 was written as follows:


[3].Baekje There is a possibility that the inscription of Inariyama sword may be written in a version of the Chinese language used in the Korean-peninsula kingdom of [2]

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from World eBook Library are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.