Pope Clement IX (Latin: Clemens IX; 28 January 1600 – 9 December 1669), born Giulio Rospigliosi, was Pope from 20 June 1667 to his death in 1669.
Contents
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Early life 1
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Pontificate 2
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Art reforms 2.1
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Defence against the Turks 2.2
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Death and burial 2.3
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Artistic works 3
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See also 4
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Notes 5
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References 6
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External links 7
Early life
Born Giulio Rospigliosi to the Rospigliosi, a noble family of Pistoia, Grand Duchy of Tuscany, he was a pupil of the Jesuits. After receiving his doctorate in philosophy at the University of Pisa, he taught theology there. Later Rospigliosi worked closely with Pope Urban VIII (1623–1644), a Barberini Pope, where he worked in the Papal diplomacy as nuncio to Spain. [1] He was also made vicar of Santa Maria Maggiore in Rome.
Rospigliosi was an accomplished man of letters, who wrote poetry, dramas and libretti, as well as what may be the first comic opera. He was also a patron of Nicolas Poussin, commissioning A Dance to the Music of Time from him and dictating its iconography.
He lived in retirement during the pontificate of Pope Innocent X (1644-55), who disliked the Barberini and their adherents, but was recalled to office by Alexander VII in 1657 and named Cardinal-Priest of San Sisto and Secretary of State. After Alexander VII's death in 1667, an 18-day papal conclave concluded with Rospigliosi's election as Pope. Upon his succession, he took the name Clement IX.[1]
Pontificate
Papal styles of
Pope Clement IX
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Reference style
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His Holiness
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Spoken style
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Your Holiness
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Religious style
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Holy Father
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Posthumous style
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None
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Nothing remarkable occurred under Clement IX's short administration beyond the temporary adjustment of the disputes between the Holy See and those prelates of the Gallican Church who had refused to join in condemning the writings of Jansen. He was mediator during the 1668 peace of Aachen, in the wars of succession between France, Spain, England and the Netherlands.
He was popular with the people of Rome, not so much for his erudition and application to business, as for his extreme charity and his affability towards great and small. He increased the goodwill of his subjects by buying off the monopolist who had secured the "macinato", or privilege of selling grain, and as his predecessor had collected the money for the purpose, Clement had the decree published in the name of Alexander VII. Two days each week he occupied a confessional in St. Peter's church and heard any one who wished to confess to him. He frequently visited the hospitals, and was lavish in his alms to the poor. In an age of nepotism, he did little or nothing to advance or enrich his family. In his aversion to notoriety, he refused to permit his name to be placed on the buildings erected during his reign.[1]
Art reforms
As pope, Clement IX continued his interest in the arts. He embellished the city of Rome with famous works commissioned to Gian Lorenzo Bernini, including the angels of Ponte Sant'Angelo and the colonnade of Saint Peter's Basilica. Somewhat unusually for Popes of the era, Clement IX did not have his name displayed on monuments he built. He also opened the first public opera house in Rome, and for the Carnival celebrations of 1668, commissioned Antonio Maria Abbatini of the Sistine Chapel Choir to set to music his free Italian translation of a Spanish religious drama La Baltasara. The production had sets designed by Bernini.
Defence against the Turks
Clement IX worked to strengthen Venetian defences against the Turks on the island of Crete. However, he was unable to get wider support for this cause. At the end of October 1669 Clement IX fell ill after receiving news that the Venetian fortress of Candia in Crete had surrendered to the Turks.
Death and burial
He died in Rome, allegedly of broken heart, in December of that year. His successor, Pope Clement X (r. 1670–1676), built him an ornate tomb in the basilica of Santa Maria Maggiore.
Artistic works
Libretti
See also
Notes
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^ a b c Loughlin, James. "Pope Clement IX." The Catholic Encyclopedia. Vol. 4. New York: Robert Appleton Company, 1908. 9 Sept. 2014
References
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Rendina, Claudio (1993). I papi. Storia e segreti. Rome: Newton & Compton.
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Murata, Margaret (1981). Operas for the Papal Court, 1631–1668. UMI Research Press.
External links
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Notes on 20th century productions of Rospigliosi's operatic works
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Banca dati Giulio Rospigliosi, maintained by Danilo Romei
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1st–4th centuries
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5th–8th centuries
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9th–12th centuries
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13th–16th centuries
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17th–20th centuries
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21st century
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